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Editor: Julie Linsey, Maria Yang, and Yukari Nagai
Author: Douglas Fisher
Consider a library of designs that are available for reuse, reconfiguration, and remixing by human and/or
AI designers. Rather than retaining only fully-implemented designs, the retention of incomplete, partially
specified designs provides opportunities for creative design refinement and flexible reuse. In particular,
we explore tree-structured designs, created by top-down and bottom-up strategies, for purposes of
creative design refinement.
High-level design templates provide constraints, as do low-level components that are available for
reuse. Between high-level templates and low-level components, are mid-level design elements, which if
fully fleshed out, give no room for creativity, and if insufficiently fleshed out, design may default to
design from scratch. We adapt research in AI, on optimal levels of abstraction for purposes of
categorization and problem solving, to design, with an eye on designs that are novel, utile, and surprising.
Annotating links between design components help assess recyclability and assembly costs of designs.
NEW DEADLINE- Full paper submission: 22nd April, 2016 Design creativity is an important and interesting topic of study in design. Since it involves the profound and essential nature of design, design creativity is expected to be a key in not only addressing the social problems that we are facing, but also producing an innate appreciation for beauty and happiness in our minds. In order to elucidate the nature of design creativity, the following issues are being studied: cognitive processes underlying...
The objective of SIG - Design Creativity is to study creativity in design. We have not sufficiently clarified creativity, especially in the context of design, although it is a very interesting characteristic in the thinking process of humans. This research discusses creativity in design instead of trying to identify its standard characteristics. That is, it tries to answer the question “What is design?” from the viewpoint of creativity, for two perspectives. First, this SIG discusses the characteristics...